Camera and Lens Features

We've already given the Nikon Z8 a Gold award and selected it as our Product of the Year, but it's the events surrounding the way we covered it that made it stand out for our Technical Editor, Richard Butler.

Fujifilm's newest camera aims to bring modern AF, improved sensor stabilization and video recording technology into the medium format realm. Let's take a closer look at the GFX 100 II and everything it has to offer.

DJI announced the Osmo Pocket 3, the latest in its series of handheld gimbal cameras. This newest Pocket model features a camera with a larger Type 1 sensor and a 2-inch rotatable touchscreen for vertical or horizontal framing.

Google's Pixel 8 and Pixel 8 Pro smartphones share many components and features. However, there are also plenty of differences between the two models, especially in terms of camera and imaging features. We take a closer look so you can decide which of the two Pixels is best for you.

Nikon's latest Z-mount lens is a 600mm you can handhold for hours for wildlife and sports photography or pack away for travel when you want to leave the monopod and tripod at home. We got our hands on a pre-production model to learn what's new in this $4800 lens.

The Nikon Zf is not the first time the company has referenced its classic film SLRs of the early 80's, but having used it a little, we think it's the most successful so far. It's more than just a pretty Z6 II alternative or full-frame Zfc.

Nikon's latest Z-mount lens is aimed at portrait, studio and low-light photographers seeking fine detail, smooth depth-of-field and edge-to-edge round bokeh. At $2500 it comes at a price, let's see what you get for it in a hands-on slideshow.

The Tough TG-7 is the latest rugged/waterproof camera from OM Systems (formerly Olympus' camera division). While not much has changed, some updates are nice to see. Follow along as we get our hands dirty taking a closer look at the TG-7.

Fujifilm's latest mid-range camera gives hybrid shooters a compelling new option with a slew of features, making it a whole lot more than just another vlogging camera. Let's take a closer look.

The Sony ZV-1 Mark II is built around a 20MP Type 1 (13.2 x 8.8mm) Exmor RS Stacked CMOS sensor and an updated 18–50mm equivalent F1.8–4.0 lens. Now, the question: can its compact form factor and capabilities as a video and stills camera attract users beyond the intended vlogger and creator market it was initially designed for? Let's delve into the details and find out.

Adobe's Generative Fill beta can remove difficult objects, replace backgrounds, extend the canvas of a photo and add items that were never there – with mixed results.

Take a closer look at Leica's latest advanced fixed-lens camera, the Q3.

We go hands-on with the brand new Nikon Z8 and take a look at all its features. Does it handle like the Z7 or bolster its status as a 'mini Z9' with its design?

OM System's latest lens is a whopper of a macro, featuring optical stabilization, full weather sealing, up to 2x magnification and a whole lot more. What's it got and what's it like to use? Let's dig in.

The Canon EOS R8 is the company's second ever sub-$1500 full-frame camera (just). It's a compact, entry-(ish)-level body with a lot of EOS R6 II to it. But there are also some limitations. We look at what it is, what it isn't and how it stacks up against its peers.

The EOS R50 is Canon's APS-C RF mount compact hybrid camera designed for beginners seeking an interchangeable lens camera that's easy to use and carry around.

The Panasonic Lumix DC-S5 II is a powerful mid-range full-frame stills and video mirrorless camera that introduces on-sensor phase detection, 6K 'open gate' video, LUTs for still mode and more. We put the camera through its paces during a hands-on trial run in the real world.

Chris and Jordan recently spent a delightful afternoon sharing their list of the year's best and worst camera gear. Now that their hangovers have worn off, they've prepared a more sober reflection on their choices.

We've gone hands-on with Canon's RF 135mm F1.8 L IS USM lens to take a closer look at how it performs, what features it has and how it compares to the competition from Sigma and Sony.

We were able to get our hands on Nikon's new Nikkor Z 17-28mm F2.8 just before its launch, so here's a little insight into what it is, how it handles and what its sample images can look like.

Hands-on with Hasselblad's new 100-million-pixel X2D 100C and the XCD V series of upgraded lenses launched alongside it. With a new processor, more pixels and phase detection AF this promises to be a giant step up for the system.

Former Editor Barney Britton treated himself to a Nikon Z9 when he left the website. With eight months use under his belt, he looks back at his experience so far.

We go hands-on with Sigma's latest 'Digital Native' wide-angle lenses for L-mount and Sony E-mount cameras to see what features they have and what sets them apart from the rather limited competition.

We go hands-on with Canon's EOS R7 to get a closer look at what Canon's new APS-C mirrorless camera has to offer.

We go hands-on with Nikon's new compact super-telephoto lens, the Nikkor Z 400mm F4.5 VR S, to see what all Nikon has managed to pack into this lens, even without the help of PF elements.

We go hands-on with the new XF 150-600mm F5.6-8 lens, Fujifilm’s longest telephoto zoom lens to date.

We grabbed the new Fujifilm X-H2S to see how it handles and what it offers as Fujifilm’s self-proclaimed ‘flagship’ camera system. Join us as we go hands-on with the new Stacked CMOS X-series flagship.

The Sigma 16-28mm F2.8 DG DN Contemporary is a compact, lightweight wideangle zoom lens for Sony E-mount and L-mount full-frame and APS-C format digital cameras. Click through to learn more about Sigma's latest compact zoom.

We take a closer look at the smallest ultra-wide APS-C zoom lens to date, Sony's new 10-20mm F4 PZ G lens for APS-C E-mount cameras.

We take a closer look at the latest lightweight, compact ultra-wide prime for Micro Four Thirds from Panasonic.

We go hands-on with Sony's new 24-70mm F2.8 GM II to see what new features it includes and how it compares to Sony's original 24-70mm F2.8 GM model.

The OM System 12-40mm F2.8 II Pro and 40-150mm F4 Pro are the latest two lenses from OM Digital Solutions. We take a closer look at both.

In this article we go hands-on with the new Panasonic GH6 to take a closer look at how its designed and some of its exciting new features.

The OM-1 is the first camera launched by OM Digital Solutions after taking ownership of Olympus' camera division. We go hands-on with this intriguing new model to look at it in more detail.

The M11 is the latest in the Leica's series of rangefinder cameras, which date back to the early years of the 20th century. While it may look like Leicas of the past, it offers technology that 20th Century film photographers could never have imagined.

The Nikon Nikkor Z 100-400mm F4.5-5.6 VR S is a premium telezoom lens for Nikon's full-frame Z mount. Designed with wildlife and sports photographers in mind, the 100-400mm offers a versatile zoom range and impressive close focusing capabilities. Click through to learn more.

The Nikon Nikkor Z 24-120mm F4 S is a standard zoom lens for the full-frame mirrorless Z mount. We've been shooting with one for a few days, and in this article we'll be providing an overview of Nikon's latest S-series zoom.

The new Nikon FTZ II offers no additional functionality compared to the original, but if you've got your eye on a Z9, the new version is the one you'll want to grab. Click through to learn more.

We've been shooting with the New Nikon Z 40mm F2 for a few days, and in this article we'll provide a brief overview of its key features and handling, along with some first impressions of image quality.

The Panasonic Lumix S 35mm F1.8 is the fourth in a series of ergonomically-similar full-frame F1.8 primes for L mount. This full-frame prime lens is intended for both photographers and videographers, and we've had our hands on one. Click through for more details.

The Ricoh GR IIIx is so similar to the original GR III that it can be hard to tell them apart. But how much difference does the longer 40mm equivalent lens of the 'X' version make to the shooting experience? Senior Editor Barnaby Britton took the GR IIIx back to the UK recently, for a family reunion. Click through to read more.

OM Digital Solutions – the company that's bought the Olympus imaging division – has just launched the M.Zuiko Digital ED 20mm F1.4 PRO. Click through for a closer look.

The Nikon Z9 offers the kind of features that only a mirrorless camera could provide, yet it's among the most DSLR-like of its peers. In this article, DPReview Reviews Editor Carey Rose explains what this means (and why it's a good thing).

The Nikon Z9 has just been officially unveiled, and there is a lot to unpack in Nikon's first truly 'professional' mirrorless interchangeable camera. Click through this article to get an idea of how we feel about the Z9 so far, and an overview of its key features.

The Sony a7 IV incorporates new features and usability enhancements aplenty. We busted out our most autumal sweater in celebration, and got our hands on Sony's latest ILC. Click through for details of key features and our impressions of handling.

Sigma's 18-50mm F2.8 DC DN is an impressively compact, bright and affordable upgrade over most kit lenses, and users of Sony's APS-C cameras should take note.

The FE 70-200mm F2.8 GM OSS II is Sony's first attempt to update its 'G Master' lineup. The inside has been completely reworked. Follow along as we hit the highlights of this latest high-end telezoom, with a full-on analysis of its optics.